This course provides a broad, interdisciplinary overview of the U.S. labor movement in the fight for social and economic justice. It will introduce students to critiques of racial capitalism and the power dynamics inherent in paid work while considering why and how workers form unions in response. One of the primary objectives of this course is to develop a theoretical and analytical understanding of contemporary workers’ experiences of work in the U.S. shaped by race, class, gender, sexuality, immigration status, language, religion, and other social constructs.
Seth Lunine is extensively involved with the American Cultures Engaged Scholarship (ACES) Program and explores issues of power, race, and class in the contemporary city in his course: Geography X50AC: “California.” This course explores the complex history of California and dives into the darker histories of racism and oppression. Originally developed as part of the American Cultures Enga
The Creative Discovery Fellows curriculum appeals to faculty interested in developing and implementing a well-structured, meaningful creative assignment. These resources are based in the anti-racist and student-centered philosophy of the CDF program and designed around a set of "premises" underlying our four phases of development to help instructors teach storytelling and navigate pedagogy, technology, and student learning.
Each year, approximately 10 faculty from a wide variety of disciplines are selected to participate in the Creative Discovery Fellows program. Faculty participate in a year-long developmental program that includes a 3-day Institute, monthly cohort meetings, and various workshops, as well as individual consultations with media and pedagogy experts. During implementation, their students also receive support in the form of workshops, in-class demonstrations, individual consultations, group feedback, online resources, and tutorials.
[The CDF program] is very valuable. We tend to do the same old stuff in our classes—exam, paper, exam, paper, repeat. This only taps into certain sets of skills. While these assignments develop valuable academic skills, students often have much more they can bring to their class experience. For a certain type of student (and teacher!) who feel constrained by the limits of traditional assignments and classroom protocols, the [Creative Discovery Fellows] program is quite freeing in providing institutional support for trying something new.
Ethnic Studies 176 approaches coursework from various critical/theoretical perspectives, often constructing them as we analyze, and through the lens of Ethnic Studies. It assumes that few, if any of you, are entering the course with an extensive background in the art and cultural production or the attendant scholarly criticism of American ethnic art. It does, however, assume the ability and willingness to read and analyze works closely.
Dr. Karina Palau is a Continuing Lecturer in the Department of Comparative Literature. Her recent course offerings include a freshman writing seminar on travel literature, "Boroughs & Barrios: Moving in and through NYC and LA," an American Cultures course on (re)making American history in the post-Civil-Rights-Era U.S., and a course that examines depictions of four distinctive cities on the American continent: New York, Buenos Aires, Los Angeles, and Mexico City.